One thing my interviewee has never lacked is personality. Although he has played with ambiguity, he has always been clear about his preferences.
He has performed with numerous artists, even Celia Cruz. A prolific and controversial figure who never goes unnoticed, he speaks only when he feels like it, as he does today.
He reserves love and respect for friends and family. Today, we delve into the secrets, laughter, and facets of a truly original artist who has faced every challenge with his unique motto: living "his way."
To me, this man is a beacon of total freedom, kindness, and talent, under the protection of the sea's guardian... Welcome Eduardo Antonio, the Divo of Placetas and Cuba!
Early Days in Placetas
What can you tell us about your beginnings in Placetas? What was your home and family like?
Placetas means everything to me. My family was wonderful, joyful, and close-knit. I was raised by my grandparents alongside my parents, with both sides of the family living nearby. My mom had a brother who married my dad's sister, making my cousins more like siblings.
We grew up with a lot of joy, playing games. I was a happy child who enjoyed activities like spinning tops, marbles, and baseball. My father was my hero, my Robin Hood, taking all my friends to the river to hunt and fly kites.
I was loved and cherished as a child. I have a sister, but I grew up with many cousins, almost like siblings. Every summer, we spent 15 days in Varadero and another 15 in Guanabo. My parents worked hard but always ensured we had plenty. My dad was a hero, as was my mom, giving us everything we needed. My childhood was wonderful.
Musical Journey
How did you get into music, especially campesino music?
I started singing at a young age because both my parents sang. My dad played the guitar, and they taught me as well. I began studying and entered children's television with Luciano Mesa and Virginia Wong in shows like "Variedades Infantiles," "Caritas," and "Fiesta de Verano." I often won first place in national festivals.
I turned to campesino music after my voice changed. My grandmother loved a song called "Alborada Guajira" and sang it to me. I learned it and even wrote a song for Celina González. I performed on the show "Palmas y Cañas," achieving great success with the songs my grandmother taught me.
Balancing Success and Personal Life
Has balancing your personal life with success been challenging?
I've always been confident, whether as a child, youth, or adult. I understand that there are two parts to life: the public stage and personal moments. I've tried to manage them as best as I can. I'm not perfect—I'm human, and human nature is imperfect. I strive to stay grounded and genuine with my family, partner, son, and true friends.
I've handled it with humility, transparency, and kindness, regardless of the world's perception of me.
Being True to Yourself
Has your unique personality influenced your career?
It hasn't restricted my career, but it has certainly shaped it. I've always been myself, as you mentioned earlier, and I believe people see me as a man of character. I present myself authentically, with honesty, bravery, and truth.
Singing vs. Storytelling
Is singing or storytelling more important to you?
They go hand in hand. When I sing, I convey my life experiences, who I am, who I want to be, and where I aspire to go through my body language. And if we talk about storytelling... I love counting money after performing!
Looking Back and Moving Forward
What do you think of the Divo from over 20 years ago, before Don Francisco named you?
Appearing on that show was a thrilling experience. It was my first international appearance in the U.S. and it was incredible. Don Francisco and I admired each other greatly, and he understood my passion. He supported and encouraged me, giving me the opportunity to grow on his stage and naming me the Divo. I am eternally grateful and wish him health and long life.
Handling Criticism
How do you manage criticism?
I welcome constructive, sincere, and truthful criticism. However, when criticized with the intent to harm or when false claims are made about me, I don't understand it. You can have your preferences, but don't say I'm a bad singer or artist. I respond to criticism with truth and humility, but also with the necessary strength.
Personal Sacrifices for Success
What have you given up for success?
Success does mean giving up certain freedoms. Artists aren't better or worse; we just exist outside traditional social classes and seasons. For example, I enjoy sucking on bones when eating, but I do it discreetly in public to avoid being seen.
I can't leave the house without consideration for my public image. I still enjoy grocery shopping in person, visiting various markets to find what I need. I love eating at restaurants and occasionally indulging in street food. Being recognized by fans as I walk the streets is my daily vitamin.
Social Responsibility of Artists
Do you think artists should fulfill a social role, especially regarding Cuba?
Artists should not be blind to the world's issues, including the situation in Cuba. You can't ignore the hardships and pretend politics don't concern you. As an artist, you must use your voice to speak out for change.
We are social beings and should engage with society. I dream of performing in a free Cuba and pray for the end of the dictatorship, hoping for happiness and prosperity for all Cubans.
Insights on Eduardo Antonio's Journey and Views
What influenced Eduardo Antonio's early interest in music?
Eduardo Antonio's early interest in music was influenced by his parents, who both sang. His father played the guitar and taught him the instrument, fostering his passion from a young age.
How does Eduardo Antonio balance his personal life with his career?
Eduardo Antonio maintains a balance by clearly distinguishing between his public persona and private life. He embraces his imperfections and strives to stay grounded and genuine with his loved ones.
What role does Eduardo Antonio believe artists should play in society?
Eduardo Antonio believes artists should not turn a blind eye to social and political issues. He asserts that artists have a responsibility to use their voices to advocate for change and awareness.